Die Ölgemälde alles Corot Camille

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38142

Christine Nilson or Bohemia with Mandolin

mk131 1874 Corot declares in these portraits of study its aficion by the theater and operates it.

38137

Claire Sennegon

mk131 Charmois 1837 Claire was, al to seem, the niece favo-rita of corot, the one that but recalled its own mother, to which worshipped-always itself referia to her as the belle you give me.

31108

Dunkerque,les bassins de peche

mk71 1875 Toile H.0.35 L.0.47 Dunkerque,Musee des Beaux-Arts

38133

Entrance of Coubron

mk131 Toward 1874 Since 1867 Corot maintained in this place close to Beauvais a study in the country that hardly anybody conocia.

38103

Florence Since the Gardens of Boboli

mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle

38140

Girl Peninandose

mk131 1860-1865 It influence-cla of pictures as this on the toilettes of Degas is evident.

38107

Homero and the shepherds

mk131 1845 It inspired in a poem of Andre chenier, Corot yields aqui tribute al classicist teaching of Bertin and in finalizes instance, of poussin and cludio of lorraine.

38111

I remember of Mortefontaine

mk131 Toward 1864 Mortefontaine is a jardin picturesque al north of Paris created in the 17th century and plagued of lakes and rarely Vegetable species.

38134

Interior of the Cathedral of sens

mk131 1874 painted from life pocoantes desu death, the theme, little frequent in corot, remits to the Dutch painting of the XVII and to the romanticos English, very given al mystery of the religious interiors.

38102

Ischa since the slopes of the mount Epomeo

mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

34606

Le Batelier de Mortefontaine

mk94 1865-70

31109

Le Chateau de Wagnonville

mk71 1871 Toile H.0.32 L.0.40 Douai,Musee de la Chartreuse

31107

Le Pressoir de Domfront

mk71 vers1850 Toile H.0.159 L.0.255 Chateau-musee de Boulogne-sur-mer

31106

Les Bucheronnes

mk71 1871-1872 Toile H.0.878 L.1.150 Musee des Beaux-Arts d'Arras

38100

Manana in Venice

mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.

38139

Marietta

mk131 1843 Corot I paint few naked, but always with singular fortune and with an accent incofundible in the pntura French du its time.

54526

Memory of Mortefontaine

mk235 1864 Oil on canvas 65x89cm

38109

Nymph Reclined

mk131 Toward 1857 they dealt with the smooth light and the espirutu poetico own of its landscapes bucolicos. The prodigious naked one that dominates the composicion overflows with a lot of the somewhat cloying conventionality of that part of the work of corot.

38122

Path on the Rlo

mk131 With the excepcion of the groins Constable, ningun painter speaks presented with taanta boldness the idea of the landscape as fragmeto of nature, and not cmo alegoria or reconstruccion ideal and escenografica of an order arquetlpico.

38136

Portrait of Mme

mk131 Baujot 1837 Corot that never itself case, tenla true devocion by the daughters of its sisters, to the ones that treated as own.

38127

Rafaga of wind

mk131 1865 Exposed with exito in the salon of 1867 is a matter of a composicion carried out in study in spite of its liberty tecnica, and sample the capacity of corot to retain long time its famous first one impresion.

38138

Reader crowned of flowers or The Muse of virgil

mk131 1845 one of the first samples of the figures alegoricas that Corot frecuentaria al final of its career.

38129

seine al bridge

mk131 Toward 1868-1870 Corot visited frequently Mantes, where tenia friends, and alli I paint a view of l city and various pictures of the city and various pictures of the cathedral and the bridge on the seine.

38092

Self-portrait

mk131 Toward 1835 oieo sober fabric 34x25cm

38135

Self-Portrait

mk131 It painted immediately before its trip to ltalia to peticion of its famila, that queria to conserve a memory during the long absence.

38118

The antepuerto of Rouen

mk131 1834 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al

38110

The Baptism of Christ

mk131 1847 Painted by official assignment for the baptismal chapel of San Nicolas of Chardonnet, in Paris, Is one of the scarce incursions of corot in to painting decorative.

38132

The bell tower of Doual

mk131 1871 Corot I paint this view from the window of a habitacion in Douai during Long sessions in which not admitia views that distracted him.

38130

The bridge of Mantes

38096

The bridge of Narni.

mk131 1827 The critica hectares opuesto el boceto of 1826

38095

The bridge of Narnl

mk131 1826 It impressed by the contrast extre the ruin of this bridge gypsy temperate the Nera there the vast extension of the virgin landscape there abrupt in known environment.

38123

The castle of pierrefonds

mk131 Toward 1840-1845 As in the views of ciucdades, Corot chooses a distant point of view that permits him recogerel motive with amplitude

38098

The castle of Sant Angelo and the Tiber

mk131 1826-1828 Corot considered always querencia the uniform lights

38116

The Cathedral of market analyses

mk131 1830 TO Corot him sorpendio in chartres the Revolucion of July

38117

The Cathedral of market analyses

mk131 1830 TO Corot him sorpendio in chartres the Revolucion of July

38131

The church of Marissel

mk131 1867 Presented in the Salon of 1867, Was another of the large exitos that sprinkled the ultimos anuses of Corot.

38108

The dance of the nymphs

mk131 Hacial 1850 Exhibited with flat exito in the Salon of 1851 This work consagraria at last the fame of corot, Although in a well different registration from the one that testifies its better qualities.

38094

The forum of the garden farnes

mk131 1826 it painted from life since the palation

38121

The houses of cabassud

mk131 1835-1840 Corot passed long seasons in the property of its family in ville d' avray.

50189

The Italian vill behind pines

mk209 undate 61x44

38143

The lady of blue

mk131 1874 Surely and I finalize and but extrano of the pictures of figures painted by Corot

38735

The Little Shepherd

mk141 1840 Oil on canvas 135x110cm

54527

The Mill at Saint-Nicolas-les-Arras

mk235 1874 Oil on canvas 65.5x81cm

38112

The morning star

mk131 1864 inspired in some verses of Alfred of Musset al way of the False bard Ossian, so diffused by the Romanticism in every Europe.

38120

The Moulin of the Calette in Montmartre

mk131 1840 they Lacked todavia many anuses so that the hill of Montmartre itself to Become place of Favorite residence of the painters in Paris and so that in this luar, even rural, the room of dance was installed al air free immortalized by renoir in its famous picture.

38124

The quai give paquis in geneva

mk131 1841 criticizes has discussed It on the date of this picture, that at times is delayed until 1859 or even

38126

The road of sevres

mk131 Toward 1855 The vision level in depth of a rural road to be another of the motives that the impressionist from monet and renoir to pissarro and sisley-take of corot, although they be used to preferring frame diagonals that are distinguished of the caracteristica composicion horizontal of the teacher.

38113

The road of Without-him-Noble

mk131 Near Doual 1873 In some cases, Corot explores a via intermediate and of buy-miso between the compositions liricas and the nature observed in direct

38119

The Seine and the Quai give orfevres

mk131 1835 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al

38093

The Theater

mk131 1825 Oil on canvas

38097

The theater from garden it Farnes

mk131 1826 Another of tired views painted that hill from the anus of the palation

38099

The Trinita ai Monti

mk131 1826-1828 Another good example of the role that the values play in the work of Corot.

38128

The vaguada

mk131 1855 Corot approaches aqul, by the intensity and coolness of its green, to the examples but advanced of the school of Barbizon, especially to Daubigny.

38101

The walk of Poussin Campina of Rome

mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

38106

The Waterfalls

mk131 1843 As the previous one, was painted during the I finalize trip of corot to ltalia.

38141

The woman of the pearl

mk131 1868-1870 Without doubt is the but famous of the pictures of figures of corot and the one that but fascinacion has exercised despues on impressionists and cubist.

38105

Tivoli The gardens of the village

mk131 1843 Composed with the severity of the landscape painters clasicos, but without losing an apice of the immediacy of the free air

31105

Une Route pres d'Arras

mk71 Toile H.0.35 L.0.46 Musee des Beaux-Arts d'Arras

33850

View of Genoa

mk87 1834 Oil on canvas 29.5x39cm Chicago,The Art Institute of Chicago

38114

View of Saint-It

mk131 1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous

38115

View of Saint-It

mk131 1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous

38104

Volterra

mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different

Corot Camille

French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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